PRE WEDDING - RIEF PHOTOGRAPHY

Kenangan asmara anda menjadi tak terlupakan, abadikan momen moment (pre wedding) anda hanya bersama RIEF PHOTOGRAPHY. Karena RIEF PHOTOGRAPHY akan membuai anda dengan hasil paduan foto artistik dengan dibalut olahan digital yang selalu meng hasilkan foto yang sesuai dengan yang anda inginkan.

thanks to Nana - Yosy

thanks to Nana - Yosy
photo n editing by Rief Photography

thanks to nana - yosy

thanks to nana - yosy
photo n editing by Rief Photography

thanks to Putra - Yesica

thanks to Putra - Yesica
location on plaosan temple - photo n design by rief photography

thanks to yustina - afif

thanks to yustina - afif
location on plaosan - photo n editing by rief photography

thanks to Nuraini - Rindra

thanks to Nuraini - Rindra
photo n editing by Rief Photography

thanks to Eva - Budi

thanks to Eva - Budi
photo n editing by Rief Photography

thanks to Eva - Budi

thanks to Eva - Budi
photo n editing by Rief Photography

thanks to chici - coco

thanks to chici - coco
photo n editing by Rief Photography

thanks to nuraini n rindra

thanks to nuraini n rindra
location on beteng vredebeurg - photo n editing by rief photography

thanks to cici - choco

thanks to cici - choco
photo n editing by Rief Photography

thanks to nuraini n rindra

thanks to nuraini n rindra
location beteng vredeburg - photo by n rief photography

thanks to ike - daru

thanks to ike - daru
photo n editing by Rief Photography

thanks to datik - iwan

thanks to datik - iwan
location on tambi wonosobo - photo n editing by rief photography

thanks to chchi - coco

thanks to chchi - coco
location on puri artha hotel - photo n editing by rief photography

thanks to client

thanks to client
make up by dempul alus - location on rief studio - photo by rief photography

thanks to ina - agus

thanks to ina - agus
make up by ina friend - location aeast coast jogja - photo by creative house n rief photography

thanks to ina - agus

thanks to ina - agus
make up by dempul alus - location east coast jogja - photo by creative house n rief photography

thanks to ina - agus

thanks to ina - agus
make up by ina friend - location on east coast jogja - photo by creative house n rief photography

thanks to niken - henky

thanks to niken - henky
make up by dempul alus - location area prambanan jogja - photo by rief photography

thanks to datik - iwan

thanks to datik - iwan
location on tambi wonosobo - photo n editing by rief photography

thanks nuraini - rindra

thanks nuraini - rindra
location on kalikuning kaliurang - photo n editing by rief photography

thanks to chici - coco

thanks to chici - coco
location on sundak beach - photo n editing by rief photography

thanks to Esti - Wijaya

thanks to Esti - Wijaya
location on rawapening,ambarawa - photo by n rief photography

thanks to dian - lala

thanks to dian - lala
make up by dempul alus - location on waduk cermo jogja - photo by creative house n rief photography

thanks to dian - lala

thanks to dian - lala
make up by dempul alus - location on parangkusumo beach jogja - photo by creative house n rief photography

Senin, 30 Agustus 2010

fotografer jogja - fotografer prewedding - fotografer pernikahan

Nikon FM3a by Kenrockwell




The Nikon FM3a is one of the very best manual-focus cameras ever made by Nikon, or anyone.
The Nikon FM3a incorporates every good feature of its forerunners, the FE, FE2, FM, FM2 and FM2n, and retains none of the bad. The FM3a is as if Nikon invited me to give them my wish list of everything I wanted included or deleted from every camera in this series over its 30-year history.
Unlike any other camera, the FM3a offers both the electronic automation of the FE and FE2, and also offers the complete, full-range mechanical, no-battery-required shutter of the FM, FM2 and FM2n!
The FM3a would just as rightly called an FE3, Maybe FE3+FM3 is more accurate; it does everything the FE and FM series did, all in one camera.
The Nikon FM3a is quite a feat of engineering, and hides this so well that it remains one of the easiest and fastest-handing Nikons of all time.
Unlike any other manual-focus Nikon, it adds a -1 stop TTL flash exposure compensation button for great fill flash.
This -1 stop TTL flash compensation means it's easy to shoot flash all day and night without ever taking your eye off your subject: hold the button for fill, and let it go for regular flash. Just be sure you're using a real NIKKOR manual-focus lens which can be focused with one finger, since your thumb will be used for the -1 stop TTL button.
The FM3a uses a proven analog needle to display metered shutter speeds in the finder. In manual mode, the meter is electronic, while the shutter remains mechanical. You easily can set set manual exposures by moving the shutter needle to match the meter needle, and it's trivial to see and set live exposure compensation, or use the zone system.
The FM3a goes beyond every other Nikon camera by having a uniquely advanced finder screen. Its split-image rangefinder is unique among all Nikons because it will not black-out with any lens, even if stopped down. This very clever split-image optical trick, used by Canon since the 1970s, lets the screen automatically adapt itself to the lens. It gives greater precision with fast lenses, and stays visible even with slower lenses.
The matte surface of the FM3a's standard K3 focus screen is optimized for lenses of f/2, allowing you to see actual depth-of field at f/2. This is quite different from the screens of AF and digital SLRs, whose screens are optimized for slower f/2.5 lenses. (If you use faster lenses, nothing gets brighter and you only see the defocus equivalent to that lens being stopped down to that aperture.)
The only thing the FM3a can't do are the extra features of the Nikon FA "Technocamera," which was 20 years ahead of its time. The FM3a has manual and aperture-priority auto exposure, but lacks the matrix metering or program or shutter-preferred automation of the FA.
The FM3a adds two more firsts for this camera series: a film-check window on the back, and DX automatic ASA setting.
The FM3a uses the same MD-12 motor drive as do all the other Nikon cameras this size.
The FM3a flew completely under my radar when it was introduced in July 2001.
Nikon marketed the FM3a as if it was some sort of men's jewelry, pitching it with the overpriced, underperforming 45mm f/2.8 AI-P lens, so many people ignored it.
This is too bad, because it turns out that the Nikon FM3a is Nikon's most intelligently designed and most ergonomically perfect camera of all time.
Unlike the FE2 and FA, you can expose frames 0 and 00 just as you can on the FE, for 39 perfect frames on every roll. The FE2 and FA turned off the meter and forced their shutters to 1/250 in frames 0 and 00 for the benefit of stupider photographers who thought their cameras were broken when they'd get stuck in 4-minute auto exposures with the lens cap on.
The FM3a is designed for the knowledgeable photographer, who today is the only one buying it. The Nikon FM3a is a total winner. it does everything my favorite FE does, but better. See my Nikon FE Review for a lot more about why these sorts of cameras are so great.

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